Disjunktion und Diskrepanz
This study deals with Italian and French travesties of the Aeneis published in the 17th century. These works imitate Virgil's authoritative text in a way that is discrepant to its original form. Travesty as a special kind of disjunctive transformation of antiquity thereby reveals the conflict between provocative transgression and the persistence of traditional poetics in the Early Modern Age. Kai Schöpe , Friedrich Schlegel Graduate School of Literary Studies/Freie Universität Berlin, Germany.
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