A New Companion to Digital Humanities
A New Companion to Digital Humanities
Notes on Contributors
John Ashley Burgoyne is a lecturer in the Music Cognition Group at the University of Amsterdam and a guest researcher at the Netherlands Institute for Sound and Vision. Dr. Burgoyne led the compilation of the McGill Billboard transcriptions and the Hooked on Music project on long-term musical memorability.
Tanya E. Clement is an assistant professor in the School of Information at the University of Texas at Austin. Her primary area of research is scholarly information infrastructure. She has published widely on digital humanities and digital literacies as well as scholarly editing, modernist literature, and sound studies. Her current research projects include High Performance Sound Technologies for Access and Scholarship (HiPSTAS).
Owen Conlan is an assistant professor in the School of Computer Science and Statistics, Trinity College Dublin, with expertise in personalization and visualization. He has co-authored over 100 publications and has received several best-paper awards. Owen coordinated the European Commission-funded CULTURA project, and he is a passionate educator who teaches knowledge and data engineering.
Panos Constantopoulos is a professor in the Department of Informatics and Dean of the School of Information Sciences and Technology, Athens University of Economics and Business. He is also affiliated with the Athena Research Centre, where he heads the Digital Curation Unit. He was previously in the Department of Computer Science, University of Crete (1986-2003). From 1992 to 2003 he was head of the Information Systems Laboratory and the Centre for Cultural Informatics at the Institute of Computer Science, Foundation for Research and Technology - Hellas. His interests include digital curation and preservation, knowledge representation and conceptual modeling, ontology engineering, semantic information access, decision support and knowledge management systems, cultural informatics and digital libraries.
Costis Dallas is associate professor at the Faculty of Information, University of Toronto, where he served as Director of Museum Studies from 2012 to 2015, and assistant professor at the Department of Communication, Media and Culture, Panteion University. His current work as Research Fellow of the Digital Curation Unit, IMIS-Athena Research Centre, as chair of the DARIAH Digital Practices and Methods Observatory (DiMPO) working group, and as co-principal investigator in the CARARE, LoCloud, Europeana Cloud, and ARIADNE EU-funded projects, concerns developing a pragmatic theory of digital curation "in the wild", knowledge practices and digital infrastructures for cultural heritage and humanities scholarship, and knowledge representation of material culture.
Martin Doerr is Research Director and head of the Centre for Cultural Informatics at FORTH-ICS in Crete. He has led and participated in projects for information systems in culture and e-science. He is chair of the working group of ICOM/CIDOC which developed ISO 21127:2006, and on the editorial boards of Applied Ontology and the ACM Journal on Computing and Cultural Heritage (JOCCH).
J. Stephen Downie is a professor and the Associate Dean for Research at the Graduate School of Library and Information Science, University of Illinois, where he conducts research in music information retrieval. He was instrumental in founding both the International Society for Music Information Retrieval and the Music Information Retrieval Evaluation eXchange.
Johanna Drucker is the Breslauer Professor in the Department of Information Studies at UCLA. She has published and lectured widely on topics related to digital humanities and aesthetics, book history and design futures, historiography of the alphabet, and contemporary art. Her most recent book is Graphesis: Visual Forms of Knowledge Production (Harvard